Champagne (1928) - titles and intertitles
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Titles and intertitles from Champagne (1928)
[edit] Opening Titles
| British International Pictures Ltd. present "CHAMPAGNE" Adapted by ALFRED HITCHCOCK. From an Original Story by WALTER C. MYCROFT. |
| Directed by ALFRED HITCHCOCK |
| Photography by JOHN J. COX. |
| Scenario by ELIOT STANNARD Art Director Assistant Director C.W.ARNOLD FRANK MILLS |
| A BRITISH INTERNATIONAL PICTURE produced at Elstree, London Distributed by Wardour Films Ltd. |
| BRITISH INTERNATION PICTURES LTD. ELSTREE, LONDON. |
| CASTE The GIRL ........ BETTY BALFOUR The BOY ........... JEAN BRADIN The MAN ........ THEO VAN ALTEN The FATHER ...... GORDON HARKER |
[edit] Intertitles and Captions
| "You'd better hurry, Miss, before she sinks." |
| "Flying the Atlantic?" |
| "Oh dear no -- I just wanted to catch this boat." |
| "Wouldn't I love to see dear Daddy's face when he hears I've run away with you after all -- and lost his aeroplace besides!" |
| Introductions aboard ship are easily arranged. |
| Cupid at the prow -- but Neptune at the helm. |
| DOES LIFE MEAN NOTHING TO YOU THAT YOU RISK IT FOR THAT CAKE HOUND YOUR BOULEVARD SHEIK IS ONLY AFTER MY BANK ROLL. FATHER. |
| "I've arranged for the Captain to marry us." |
| "You've arranged! Don't I arrange anything?" |
| "You think your money entitles you to do all the arranging." |
| "My money enabled me to fly half across the Atlantic to join you." |
| "And your father thinks his money enables him to insult me by wireless." |
| "You'll not spoit my trip -- I'll have a good time in Paris in spite of your silly ideas." |
| NOTICE THE SHIP IS EXPECTED TO ARRIVE AT Cherbough. 7AM Weather and other cirmcumstances permitting. |
| CUNARD EXPRESS TO PARIS |
| Paris -- revelry -- and at last the longed for arrival. |
| "You've neglected me for a whole week." |
| "Come on in -- I've met some lively people -- invented a new cocktail -- and bought a lot of snappy gowns." |
| "Hold everything! The next one's a knock-out!" |
| "I've always understood that simplicity was the keynote of good taste." |
| "If I've offended your good taste I must try to make amends." |
| "Which do you think the most charming creation?" |
| "The wearer, undoubtedly." |
| "You here, daddy! What a pleasant surprise!" |
| "Betty, I've something very serious to say to you -- alone." |
| "That dress suits you better than you know." |
| "I followed you -- the market broke -- and I have just learned that we're ruined." |
| "Wall-street took advantage of my absence." |
| "We've lost all our money -- I suppose you're happy now." |
| "He's gone -- just as I thought." |
| "Daddy, we've still got my jewellery -- I'll sell it all." |
| "I didn't find fault with you -- and you lost millions." |
| "I baked these myself, Daddy." |
| "I'm not very hungry to-day." |
| "Now I've found you I'm ging to take you out of this wretched place." |
| "Do you think I'd leave Daddy now?" |
| "I'd even look after your father." |
| "Very kind of you -- -- but you needn't bother." |
| "You seem to forget there's such a thing as pride." |
| "You can't live on pride." |
| "I shall get a job." |
| "You'll make a mess of it, as you do everything you lay your hands on." |
| WANTED Young girls with beautiful teeth to demonstratethe advantages of using "MINTO" TOOTH PASTE 22 AV. DE. CHATILLON PARIS |
| NEW YEARS EVE AQUITANIA |
| "What brought you in here?" |
| "Teeth!" |
| "We're only interested in legs here." |
| "I must have come in the wrong door -- but it's all the same to me if you can give me a job," |
| "I am interested in a cabaret -- I can place you there." |
|
| "I wouldn't go near him just now, dearie." |
| "How dare you inter- rupt my dinner -- don't you see I'm the maƮtre d'hotel?" |
| "I'm so sorry, I thought you were a gentleman." |
| "For gentlemen in evening dress only." |
| "But you said 'gentlemen in evening dress'." |
| "What do you call that one?" |
| "It's a maiden's prayer." |
| "Strange that we should meet again -- and in a place like this." |
| "I used to pay to come to places like this -- now they pay me." |
| "Someone has taken my table -- get me another." |
| "Don't you realise that anything could happen to a girl like you, in a place like this?" |
| always your good friend if you are in need |
| "I thought you were with him." |
| "No, I work here -- I'm one of the flower girls." |
| "For a beginner, you sure know how to pick 'em, kid." |
| "It's bad enough to find you here, but worse to find you enjoying it." |
| "How dare you, a daughter of mine, disgrace yourself like this!" |
| "But -- I was only trying to help you, daddy." |
| NEW YORK ADVERTISER FLYING HEIRESS ROUSES FATHER'S WRATH Daring Daughter to be Taught Lesson She'll Never Forget, Millionaire Declares |
| "You fooled me -- -- humilated me -- -- believed the worst of me! Oh, how I hate you both." |
| always your good friend if you are in need. |
| "You at this strange hour." |
| "You told me to come to you if I needed a friend -- and I do." |
| "I am sorry, but I leave for America in a few hours." |
| "America -- Home! Oh, take me with you." |
| "What are you doing here?" |
| "But what are you doing here?" |
| "Meet my very good friend." |
| "But father he's a --" |
| BETTY ON BOARD YOUR BOAT TRYING TO ELOPE PREVENT MARRIAGE ALL COSTS ELOPE WITH HER YOURSELF IF NECCESSARY. CAN TRUST HER TO YOU. MARK |
| "And we'll have an aeroplace to meet us outside New York, won't we, daddy?" |
| "I'll arrange for the captain to marry us." |
| "You'll arrange!" |
[edit] End Titles
| CHAMPAGNE. The End A British International Production |




























































































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