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  1. "'Are snakes necessary?' Comedy in the films of Hitchcock and Preston Sturges" - by Lesley Brill
  2. "'If Thine Eye Offend Thee...': Psycho and the Art of Infection" - by George Toles
  3. "'In his bold gaze my ruin is writ large'" - by Slavoj Žižek
  4. "'Knowing Too Much' about Hitchcock: The Genesis of the Italian Giallo" - by Philippe Met
  5. "'Oh, I See....': The Birds and the Culmination of Hitchcock's Hyper-Romantic Vision" - by John P. McCombe
  6. "'Strangers on a Train': The Pattern of Encounter" - by Ronald Christ
  7. "'Vertigo' and feminist theory" - by Susan White
  8. "'We might even get in the news reels' - the press and democracy in Hitchcock's World War II anti-fascist films" - by Ina Rae Hark
  9. "'You're Tellin' Me You Didn't See': Hitchcock's Rear Window and Antonioni's Blow-Up" - by Frank P. Tomasulo
  10. "A Closer Look at Scopophilia: Mulvey, Hitchcock, and Vertigo" - by Marian E. Keane
  11. "A Surface Collaboration: Hitchcock and Performance" - by Susan White
  12. "A father who is not quite dead" - by Mladen Dolar
  13. "A perfect place to die : theatre in Hitchcock's films" - by Alenka Zupančič
  14. "Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology" - by Toby Miller & Noel King
  15. "Aesthetic Space in Hitchcock" - by Brigitte Peucker
  16. "Alfred Hitchcock" - by Paul Duncan
  17. "Alfred Hitchcock's Murder!: Theater, Authorship, and the Presence of the Camera" - by William Rothman
  18. "Alfred Hitchcock's San Francisco: You Can Hang by Your Fingers with James Stewart, Dream in the Fog with Kim Novak, and Relive Their Terrifying Love Story on the Vertigo Tour" - by Michael Oliver-Goodwin & Lynda Myles
  19. "Alfred Hitchcock, or, the form and its historical mediation" - by Slavoj Žižek
  20. "All in the Family: Alfred Hitchcock's Shadow of a Doubt" - by James McLaughlin
  21. "Awkward Ages: James and Hitchcock in Between" - by Mark Gobel
  22. "Baroque Vertigo" - by Roland Greene
  23. "Beyond Location: Vertigo and the Capacity for Wonder" - by Henrik Gustafsson
  24. "Blackmail: Charles Bennett and the Decisive Turn" - by Charles Barr
  25. "Blackmail (1929), Hitchcock and Film Nationalism" - by Mark Glancy
  26. "Bump: Concussive Knowledge in James and Hitchcock" - by Mary Ann O'Farrell
  27. "Caged Heat: Feminist Rebellion in In the Cage and Rear Window" - by John Carlos Rowe
  28. "Colonial Discourse and the Unheard Other in Washington Square and The Man Who Knew Too Much" - by Alan Nadel
  29. "Conceptual Suspense in Hitchcock's Films" - by Paula Marantz Cohen
  30. "Consolidation of a Classical Style: The Man Who Knew Too Much" - by Elisabeth Weis
  31. "Criticism and/as History: Rereading Blackmail" - by Leland Poague
  32. "Death at Work: Hitchcock's Violence and Spectator Identification" - by Robert Sklar
  33. "Discipline and Fun: Psycho and Postmodern Cinema" - by Linda Williams
  34. "Exposing the Lies of Hitchcock's Truth" - by Walter Metz
  35. "Family Plots: Hitchcock and Melodrama" - by Richard R. Ness
  36. "Fin de siecle Hitchcock: Hitchcock the dandy" - by Thomas Elsasser
  37. "Finding the Right Man in The Wrong Man" - by Marshall Deutelbaum
  38. "For Ever Hitchcock: Psycho and Its Remakes" - by Constantine Verevis
  39. "French Hitchcock, 1945–55" - by James M. Vest
  40. "Frenzy: A Return to Britain" - by Peter Hutchings
  41. "From Alfred Hitchcock and the Making of Psycho" - by Stephen Rebello
  42. "From Transatlantic to Warner Bros." - by David Sterritt
  43. "Gaumont Hitchcock" - by Tom Ryall
  44. "Hands, Objects, and Love in James and Hitchcock: Reading the Touch in The Golden Bowl and Notorious" - by Jonathan Freedman
  45. "Henry James and Alfred Hitchcock after the American Century: Circulation and Nonreturn in The American Scene and Strangers on a Train" - by Brian T. Edwards
  46. "Hitch and His Audience" - by Jean Douchet
  47. "Hitch and His Public" - by Jean Douchet
  48. "Hitch as Matrix-Figure: Hitchcock and Twentieth-Century Cinema" - by John Orr
  49. "Hitchcock's 'rope'" - by Peter Wollen
  50. "Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object" - by Todd McGowan

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