Details
- article: "Projecting Britain and the British Character": Ealing Studios, Part 2
- author(s): Charles Barr
- journal: Screen (1974)
- issue: volume 15, issue 2, pages 129-163
- DOI: 10.1093/screen/15.2.129
- journal ISSN: 0036-9543
- keywords: Alastair Sim, Alexander Korda, Alfred Hitchcock, Anna Lee, Basil Radford, British Film Institute, Cahiers du Cinéma, Caroline Alice Lejeune, Cecil Parker, Cedric Hardwicke, Champagne (1928), Charles Barr, Claude Hulbert, Clive Brook, Edmund Gwenn, Edward Chapman, Edward Rigby, Elstree Studios, Borehamwood, Hertfordshire, Farley Granger, Frederic Raphael, Gainsborough Pictures, Garry Marsh, Gaumont British Picture Corporation Limited, Gavin Lambert, Godfrey Tearle, Googie Withers, Gordon Harker, H.G. Wells, Helen Simpson, Herbert Marshall, Ivor Montagu, J.B. Priestley, Jamaica Inn (1939), James Mason, Jeffrey Richards, Kay Walsh, Leslie Banks, Lindsay Anderson, London, England, Mervyn Johns, Michael Balcon, Michael Hogan, Michael Powell, Michael Redgrave, Naunton Wayne, New York City, New York, Nova Pilbeam, Penrose Tennyson, Peter Wollen, Philip French, Pinewood Studios, Buckinghamshire, Robert Donat, Robert Morley, Rodney Ackland, Sabotage (1936), Secret Agent (1936), Sidney Gilliat, Target for Tonight (1941), The 39 Steps (1935), Thomas N. Morahan, United Nations, New York City, New York, Waltzes from Vienna (1934), Warner Bros., Young and Innocent (1937)
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