The Mountain Eagle (1926)
|Gaetano di Ventimiglia|
|black & white|
|silent with English intertitles|
|Gainsborough Pictures & Emelka|
|Wardour Films (UK)|
After spurning his advances, local JP Pettigrew accuses schoolteacher Beatrice Brent of being a wanton woman and she is forced to flee the village into the mountains. There she meets the hermit John "Fear O'God" Fulton, who she marries. Pettigrew takes advantage of the fact his young son Edward has recently left the village to accuse the hermit of murdering the boy, and Fulton is arrested an imprisoned. After a year in jail, Fulton escapes and returns to his remote cabin to find Beatrice has given birth to their child. When the baby falls ill, Fulton battles through the snow to seek help in the village, but runs into Pettigrew. The sudden return of Edward forces Pettigrew to drop his accusation of murder against Fulton.
Charles Lapworth, Gainsborough's editorial director, had developed an original story titled Fear o' God, which was announced in the trade press in October 1925 as the second joint Gainsborough-Emelka production. By the time the film went into production, the title had been changed to The Mountain Eagle.
Eliot Stannard started developing the scenario from Lapworth's story during the autumn of 1925 and it was completed shortly after Hitchcock arrived in Germany to begin filming. The most in-depth description of the synopsis of the film was published in The Bioscope:
Beatrice Brent, school teacher in a small mountain village, incurs the enmity of Pettigrew, the local Justice of the Peace and owner of the village stores, because he believes that she encourages the attentions of his son Edward, a cripple, who takes evening lessons. Pettigrew, while questioning Beatrice, is himself influenced by her charm and attempts liberties which she strongly resents. He is so furious at the rebuff that he proclaims her as a wanton and she is driven from the village by the inhabitants. Beatrice is saved from their fury by a mysterious stranger known as Fearogod, who lives a solitary life in a cabin to which he takes her for shelter. To stop all scandal, Fearogod takes Beatrice down to the village and compels Pettigrew to marry them, explaining to her that he will help her to get a divorce. Beatrice, however, is content to leave the situation as it is, but Pettigrew, furious with rage, takes advantage of the fact that his son has left the village and arrests Fearogod for his murder. In spite of the fact that there is no vestige of evidence that young Pettigrew has been murdered, Fearogod is kept in prison for over a year, when he decides to escape. He finds that his wife has a baby and he goes off with them to the mountains. When they find that the baby is taken ill, Fearogod goes back to the village for a doctor, where he sees old Pettigrew. Some doubt as to which of the men is going to attack the other first is settled by an onlooker firing off a gun which wounds Pettigrew in the shoulder. The sudden return of his son Edward convinces the old man of the futility of proceeding with his accusation of murder, so he makes the best of matters by shaking hands with the man he has persecuted and all is supposed to end happily.
The international cast included British actor Malcolm Keen, American "vamp" actress Nita Naldi, here cast against-type as the schoolteacher, and German actor Bernhard Goetzke who Hitchcock had befriended during the filming of Die Prinzessin und der Geiger.
Filming seems to have taken place during the months of October and November 1925, initially on location in the Austrian Tyrol mountains and then at the Emelka studios near Munich.
Although Hitchcock mentions Kentucky as the setting in the original script, whilst exhaustively researching the film, scholar J.L. Kuhns found no evidence to support the claim that the film itself was supposed to have been set in America.
With the production phase finished, Hitchcock returned to London and completed editing the film by the end of 1925.
Release & Reception
According to J.L. Kuhns' authoritative essay on the film, published in the Hitchcock Annual (1998), the film was screened in Berlin in May 1926, then shown to the British press in October 1926 before being scheduled for public release in May 1927. Kuhns notes that it's likely the film was shown at a number of trade shows outside of London during October 1926, but only one print of the film would have been required. At most, 3 prints of the film must have been made: one for the English trade shows, one for the German market and another for the US, where it was listed as being available from November 1926.
Seemingly, there is little evidence that the film was ever distributed widely in the UK, if at all, and film historian Jenny Hammerton has speculated that the distributor Wardour Films may have shelved it in favour of releasing Downhill — this would help explain the lack of any known surviving prints.
A number of publicity stills survive from the production phase of the film — during his research on the film, J.L. Kuhns identified 43 separate images in various collections and archives, some of which appear to be enlargements of film frames. Since Kuhns carried out his research, a further photograph has emerged of Hitchcock, Alma Reville and Malcolm Keen, which was almost certainly taken during location filming.
No known prints of the The Mountain Eagle have survived and the film is currently listed on the BFI's Most Wanted list.
For further relevant information about this film, see also...
- articles about The Mountain Eagle (1926)
- complete cast and crew
- filming locations
- web links to information, articles, reviews, etc
Cast and Crew
- Nita Naldi - Beatrice
- Malcolm Keen - John "Fear o' God" Fulton
- John F Hamilton - Edward Pettigrew
- Bernhard Goetzke - Mr Pettigrew
- Ferdinand Martini
Art Direction by:
- Hitchcock Annual (1998) - Hitchcock's "The Mountain Eagle". According to Kuhns' research, claims that the film was released in America as Fear o' God are completely unfounded.
- "Alfred Hitchcock: A Life in Darkness and Light" - by Patrick McGilligan, 71
- Hitchcock Annual (1998) - Hitchcock's "The Mountain Eagle". Kuhns notes that Peter Noble appears to have made the assumption about Kentucky, possibly based on Hitchcock comments about the script, and that Noble's assumption "has dogged this film since its early citations in the literature".
- See US publications The Film Year Book 1927 and Motion Picture News/Booking Guide (April 1927)
- BFI most-wanted: The Mountain Eagle
- Naldi's career was in decline at the time and Wardour Films would likely feel that an Ivor Novello film would be a more lucrative bet for the British market.
- The Bioscope (1926) - The Mountain Eagle
- "Hitchcock" - by François Truffaut, page 39
- Hitchcock Annual (1998) - Hitchcock's "The Mountain Eagle"
|Hitchcock's Major Films|
|1920s||The Pleasure Garden · The Mountain Eagle · The Lodger · Downhill · Easy Virtue · The Ring · The Farmer's Wife · Champagne · The Manxman · Blackmail|
|1930s||Juno and the Paycock · Murder! · The Skin Game · Rich and Strange · Number Seventeen · Waltzes from Vienna · The Man Who Knew Too Much · The 39 Steps · Secret Agent · Sabotage · Young and Innocent · The Lady Vanishes · Jamaica Inn|
|1940s||Rebecca · Foreign Correspondent · Mr and Mrs Smith · Suspicion · Saboteur · Shadow of a Doubt · Lifeboat · Spellbound · Notorious · The Paradine Case · Rope · Under Capricorn|
|1950s||Stage Fright · Strangers on a Train · I Confess · Dial M for Murder · Rear Window · To Catch a Thief · The Trouble with Harry · The Man Who Knew Too Much · The Wrong Man · Vertigo · North by Northwest|
|1960s||Psycho · The Birds · Marnie · Torn Curtain · Topaz|
|1970s||Frenzy · Family Plot|
|( view full filmography )|